In 1998, he released ' Needin' U' on the Def Mix label, DMI Records, under the alias The Face. Today, Def Mix continues to represent the estate of Frankie Knuckles, in addition to Quentin Harris and Hector Romero.ĭavid Morales' solo production debut came in 1993 with the Mercury Records album The Program, credited to David Morales & The Bad Yard Club. Alongside Chicago house music pioneer Frankie Knuckles and For The Record DJ Pool founder Judy Weinstein, Morales founded Def Mix Productions to manage their work. Īfter Morales became a regular DJ during the mid-1980s he began a remixing career, at the same time that remixing other artist became popular. He DJ'd at Club Zanzibar in Newark, New Jersey in the 1980s as well, home to the Jersey Sound brand of deep house or garage house. His residency at the Ozone Layer (which lasted until 1986) led him to play at the Paradise Garage in 1983. He also started his own night club in Brooklyn in 1981 at the Ozone Layer, taking cues from both the Paradise Garage and The Loft. Career 1980s–1990s ĭavid Morales grew up in an influential era for dance music and was a regular at his native New York's fabled clubs such as the Loft and the Paradise Garage. Morales also contributed to radio shows and released DJ mix compilations. He has performed at many clubs around the globe, including numerous dates at Ibiza venues such as Pacha and Space. Morales is considered to be one of the first so-called superstar DJs. He was nominated again the next year and won the 1998 Grammy Award for “Remixer of the Year”. Morales was nominated for his first Grammy Award in 1996 as a Producer on Mariah Carey's album “Daydream” for the song “Fantasy”. ĭavid Morales has remixed and produced over 500 releases for artists including Mariah Carey, Aretha Franklin, Michael Jackson, Janet Jackson, Spice Girls, Eric Clapton, Seal, Pet Shop Boys, U2, Donna Summer, Whitney Houston, Selena, and Jamiroquai. In addition to his production and DJ work, Morales is also a remixer. In the nearly 30 years since its release, Erotica‘s reputation has grown, with many critics now naming it among Madonna’s best albums.David Morales ( / m ə ˈ r æ l ə s/ born August 21, 1962) is an American disc jockey (DJ) and record producer. (it sold two million) and the first to sell fewer than 10 million worldwide (it sold only six). It was her first album to sell fewer than 5 million copies in the U.S. I dig the production and like a few of these songs quite a bit, but at an hour and 15 minutes, with most tracks topping the five-minute mark, this is too much album for me.Įrotica sold very well by most standards, but was something of a disappointment by Madonna’s. Reading about the background and inspiration of Erotica made me appreciate it more as an artistic achievement, even if the genre makes it a tougher listen for me than her pop music. Today’s track, an early single, became an anthem at gay clubs, especially for these lyrics in the bridge: “This feeling inside I can’t explain, but my love is alive and I’m never gonna hide it again.” Several songs on Erotica address AIDS and homophobia directly, mourning the loss of a loved one or decrying societal prejudice. Madonna had lost way too many friends and collaborators to the disease. The one-two punch of Sex and Erotica proved too much for the puritanical media, which missed the underlying message of sexual acceptance inspired by the devastation wrought on the gay community by AIDS. In the guise of alter ego Mistress Dita, she sang about love and sex over house party beats produced by remix master Shep Pettibone. Her next studio album, 1992’s Erotica, also embraced her salacious side. She released the steel-cover photo book Sex, which featured nude images of her and a rotating cast of partners both famous and unknown.

Madonna started her new chapter by creating Maverick, a multimedia company with divisions dedicated to music, TV/film and book publishing. and 30 million worldwide, making it her top-selling release. The album sold more than 10 million copies in the U.S. Madonna capped off her historic 80s run with the 1990 release of The Immaculate Collection, a greatest hits compilation that spanned her first four albums plus various contributions to movie soundtracks.

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